Sound is a pressure wave transmitted through air or other materials at different frequencies. The human adult ear can comfortable hear pressure waves from around 20 beats a second (called Hertz abbreviated to Hz) to about 20,000Hz. The physic of sound is not important to know how to record it, however CLICK HERE if you want a more in depth description.
The good news is that sound editing programs can be downloaded for free and
there is a recommendation below LINK on a good one to use. There are several
others all with the similar feature but we will standardise on one called
Wavepad from NCH.
www.nch.com.au/wavepad .
A popular alternative that you may have experience with could be Audacity from
Soundforge at
http://audacity.sourceforge.net/ but it does not handle 'wma'* files and its
'mp3'* encoder is less versatile. (*see next)
You might wonder why such useful software is free; well some companies sell the
same product with more features and wet your appetite by giving away a simpler
version. This is handy as the features we need are all in the simple free one
but if you start playing with some of the more advanced features a message
requesting you to buy the full version will pop up.
Now unlike old fashioned tape recorders the digital recorder records sound as a series of numbers – a lot of numbers and they stores these as a file on the recorder itself in a silicon memory chip. This translation from sound to numbers is called Encoding. When the ‘file’ is replayed the numbers are read back by a microprocessor and translated back into the original sound. This is called decoding.
Just to make life seem difficult there several methods that can be used to Encode & Decode sound files. Some methods create very small files and some better quality.
Your recorder will usually have only one such method and therefore create only one type of sound file. The three most popular types are known as ‘wav’, ‘mp3’ or ‘wma’.
CAUTION TECHIE BIT - Try not to skip, just get a coffee, it's not so hard.
The method used to encode sound files into numbers requires the computer to know the rules of the method.
These rules are stored on your computer as a thing called a CODEC standing for enCODing and DECoding. Fortunately all the popular CODECs will be on your PC already.
Or to be more accurate the DECoding half will be there, so the computer will play your sounds just fine and the CODing bit to allow you to create different types is part of the sound editor when we get around to installing it.
It should be clear now that your little digital recorder has within it, both an Encoder used when recording AND a Decoder used when playing back.
So how does you computer know what rules (CODEC) to use to play your recorded file? Fortunately the file that was created by the recorder has a hidden part in its name that tells the computer what rules to use to decode it back into sound.
The actual files created within the voice recorder will have unfriendly names, usually a number say A000123.mp3, A000124.mp3, A000125.mp3 where mp3 is just the specific type of sound file.
Depending on how your computer is set up you may or may not see the .mp3 bit. Usually it’s hidden as you don’t normally need to know that, it is just there for the computer to know which CODEC to use when you play it back.
You can rename the files when it is copied onto your PC. So a typical you might rename a sound file to something useful like: RubySaysHello.mp3
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Some sound file formats are very small and efficient and the technique used to achieve this is called compression. This is something you do after you have edited your sound file and save the final version. Compression is a big subject but it is interesting to understand just a little of what’s going on... |
| Formats such as mp3 & wma use a cunning technique based on a mathematical model of the human ear. For example it is known that your ear cannot perceive very quiet high frequency sounds if there is a dominant loud drum roll, so the sound compressor doesn’t bother encoding the high bit at all, after all what you can’t hear you won’t miss. | |
As mentioned above there are several types but these are the ones you will commonly come across:
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Types |
Example | Features | |
| wav | wav = wave | RubySaysHello.wav | Best quality but large files, not so suitable for web use.
Not Compressed at all. |
| ~ | |||
| mp3 | mp3 = MPEG Layer 3 | RubySaysHello.mp3 | Good quality and good compression makes this a popular choice.
Non proprietary (open for all to use without licensing) Creates files about 1/10th size of ‘wav’ types. |
| ~ | |||
| wma | wma = Windows Media Audio | RubySaysHello.wma | Features similar mp3 and is proprietary to Microsoft |
| ~ | |||
| m4p | RubySaysHello.m4p | Improved mp3 with 'Digital Right Attributes' i.e. licensing control. Used by music download sites. Tricky to convert to other formats | |
There are many models available and if searching the web, search for ‘Digital Voice Recorder’.
Before you select a model here are some of the features to look out for.
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Must have a:
Good to have:
Not much use to you:
Also:
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The sound recorders that other parrot speech group members use can be seen in the groups database. If you are already a group member try CLICKING HERE to take you there.
For you guys in the USA, here is a link to Wal-Mart's range of 'Digital Voice Recorders'. CLICK HERE
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But that's the easy bit, just plugging the recorder into your PC doesn't make a digital sound file you need to run a program such as Windows Sound Recorder or a freebie sound recorder program such as HQ-Recorder or Audacity which is also an editor. The windows sound recorder on Vista is not as good as the XP version and both can be tricky to locate. Click here for more info. You can purchase an additional box of tricks that you plug your recorder into and that then connects to the PC via a USB lead and it will come with its own software to create digital sound files. Some are popularly sold as tools to convert your old LPs into computer sound files. However these are $20+ and you'd be better saving your money to get a digital recorder (see above) which can start as low as $30 unless you have a lot of LPs to convert that is.
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A separate microphone that plugs into your recorder can be very beneficial as the cardioid type has the benefit of being very directional, such that sounds left & right of where you are pointing the microphone are reduced on the recording. You can pay a lot of money for professional cardioid microphones but cheaper ones can be more than serviceable at few tens of dollars.